4.5.09

JUSTICE Scrabble










Art Action by Mayra Barraza
with the participation of
CSUN Central American Studies Faculty and Student Volunteers

Production: Beatriz Cortez
Photographs: Nelson Lemus


Immigrant Workers March
Echo Park to Placita Olvera
Los Angeles
May 1st, 2009

Description
“JUSTICE Scrabble” is an art action that took place with several groups of eight people, each person wearing a white T-shirt stamped front and back with one of the letters that form the word JUSTICE and JUSTICIA.

The participants joined the protesters and spontaneously arranged themselves in different configurations and sites in line next to each other to make the word legible while viewed from both back and front.

The words JUSTICE/JUSTICIA shouted out where the cues for groups to scrabble, dissolving, rearranging and then regrouping themselves spontaneously to make the written words legible again. The action took place repeatedly every 10-20 minutes along the march towards Placita Olvera.


Rational

“JUSTICE Scrabble” is an art action that seeks to make visible key aspects of social organization, civil rights and economic inequities.

This art-action has as its main objective to serve as a visible public act in solidarity with workers in the world and specifically in support of the roughly twenty million undocumented immigrant workers in the United States.

Rinku Sen, co-author of "The Accidental American: Immigration and Citizenship in the Age of Globalization," references a report by the William C. Velasquez Institute at UCLA, which says legalizing undocumented immigrants would create up to $5.4 billion in net tax revenue, a million new jobs and up to $36 billion in personal wealth.

“JUSTICE Scrabble” alludes to how random human acts can bring forth collective social consciousness. The scenario for this to take place in a natural way is during the immigrant rights march when a group of people coming together for a cause opens up the possibility of meaning through the display of letters on the shirts of the participants. Each letter/person on its own means nothing. In contrast, all letters/people grouped together in the correct sequence are coherent and legible and stand as a symbol.

The theorist Nancy Fraser considers justice to be a complex concept that comprehends several dimensions: wealth distribution, recognition and representation.

In this art action, the word chosen – JUSTICE or JUSTICIA in spanish- recalls all personal, collective and historical references possible and aims at being a visible claim for social recognition of justice’s voids through its symbolic representation within the Immigrant Workers Rights March in Los Angeles.



The Central American Studies Students at CSUN are part of the only university program in the United States of its kind with an interdisciplinary and trans-national dimension and an emphasis on Central American ethnic regional diversity and its migratory experience. CSUN students from the Public Art class, as well as other CSUN students, faculty, and members of the Central American community at large have also been invited to participate.

Mayra Barraza has presented her work in public places and international and regional exhibitions since the nineties. The fundamental basis of her work deals with spaces of power: the human body as personal space and public spaces which make up the social body; deeply exploring her subject matter through a wide array of media and aesthetic standpoints. She lives and works in El Salvador. Museum of Latin American Art (MOLAA) Drawing Award 2008.

For more information please contact:

Dr. Beatriz Cortez, Program Coordinator, Central American Studies Program, California State University, Northridge at (818) 677-3585 or by e-mail at beatriz.cortez@csun.edu


Special thanks to Beatriz Cortez for making everything happen at an incredibly smooth pace, to Kim Aberle for helping us out with letters and printing, to Nelson for running everywhere taking such great pictures, to Diana, Douglas, Claudia, Sherezade, Roberto and all the incredible people that made this possible!



24.4.09

California State University Northridge




The Central American Art Week
presents
Salvadoran Artist
Mayra Barraza

Thursday April 30, 2009

Art Building AC 300 (Purple Critique Room)

Overview of her artwork
12:30pm

Public Art
3:00pm

This event is sponsored by the Central American Studies Program, Art Department,
Liberal Studies Program, Chicana/o Studies Department, College of Humanities Academic
Programming Fund, and the Central American United Student Association (CAUSA).

//////////////////////////////////////////////////////////////////////////////


Friday May 1, 1:30pm

JUSTICE Scrabble

Art Action

Mayra Barraza + CSUN Central American Studies Students
Production: Beatriz Cortez

Immigrant Workers March leaving Echo Park towards Placita Olvera, Los Angeles


Description


“JUSTICE Scrabble” is an art action that will take place with several groups of eight people. Each person will be wearing a white T-shirt stamped front and back with one of the letters that form the word JUSTICE and JUSTICIA. They will all meet at the march for immigrant workers rights to take place on May 1st in the city of Los Angeles.

The participants will join the protesters and spontaneously arrange themselves in a front line standing next to each other so the word can be legible while viewed from both back and front.

The words JUSTICE/JUSTICIA shouted out will be the cues for groups to scrabble, dissolving, rearranging and then regrouping themselves spontaneously to make the written words legible again. The action will take place repeatedly every 5-10 minutes for as long as the group of participants stays together. There is no time limit established.



Rational

“JUSTICE Scrabble” is an art action that seeks to make visible key aspects of social organization, civil rights and economic inequities.

This art-action has as its main objective to serve as a visible public act in solidarity with workers in the world and specifically in support of the roughly twenty million undocumented immigrant workers in the United States.

Rinku Sen, co-author of "The Accidental American: Immigration and Citizenship in the Age of Globalization," references a report by the William C. Velasquez Institute at UCLA, which says legalizing undocumented immigrants would create up to $5.4 billion in net tax revenue, a million new jobs and up to $36 billion in personal wealth.

“JUSTICE Scrabble” alludes to how random human acts can bring forth collective social consciousness. The scenario for this to take place in a natural way is during the immigrant rights march when a group of people coming together for a cause opens up the possibility of meaning through the display of letters on the shirts of the participants. Each letter/person on its own means nothing. In contrast, all letters/people grouped together in the correct sequence are coherent and legible and stand as a symbol.

The theorist Nancy Fraser considers justice to be a complex concept that comprehends several dimensions: wealth distribution, recognition and representation.

In this art action, the word chosen – JUSTICE or JUSTICIA in spanish- recalls all personal, collective and historical references possible and aims at being a visible claim for social recognition of justice’s voids through its symbolic representation within the Immigrant Workers Rights March in Los Angeles.



The Central American Studies Students at CSUN are part of the only university program in the United States of its kind with an interdisciplinary and trans-national dimension and an emphasis on Central American ethnic regional diversity and its migratory experience. CSUN students from the Public Art class, as well as other CSUN students, faculty, and members of the Central American community at large have also been invited to participate.

Mayra Barraza has presented her work in public places and international and regional exhibitions since the nineties. The fundamental basis of her work deals with spaces of power: the human body as personal space and public spaces which make up the social body; deeply exploring her subject matter through a wide array of media and aesthetic standpoints. She lives and works in El Salvador. Museum of Latin American Art (MOLAA) Drawing Award 2008.

For more information please contact:

Dr. Beatriz Cortez, Program Coordinator, Central American Studies Program, California State University, Northridge at (818) 677-3585 or by e-mail at beatriz.cortez@csun.edu




31.3.09

Lapidario - Rodrigo Rey Rosa


LAPIDARIO

Por Rodrigo Rey-Rosa

Con estas treinta acuarelas Mayra Barraza parece que quiere crear un sujeto extraordinario. Alguien que se pregunte a sí mismo: ¿De dónde proviene esta violencia? Pero no se trata de una pregunta policial—ya sabemos que aquí la ley dejó de funcionar hace bastante tiempo. Se trata de hablar con nosotros mismos acerca de un medio del que formamos parte y que nos determina al mismo tiempo, y para eso tal vez haga falta un espejo, o, al menos, una mirada oblicua.

Hallan cuerpos de jóvenes atados con las manos hacia atrás… En ese lugar fue asesinado con arma de fuego… Hallan cadáver decapitado… Aparentemente murió ahogado en el río, aunque extraoficialmente la versión es que lo asesinaron y dejaron su cuerpo en la fuente… Matan a mujer… Frases lapidarias, sin duda, pero que no parece que hayan sido escritas para perdurar; al contrario.

La nota roja periodística (y periódica) es tan nuestra y tan efímera como los anuncios de cerveza, de ropa íntima, de autos de lujo o de bloqueador solar. Una muerte diaria, menos los lunes 23 y 30; nadie es perfecto.

Matan a mujer (diez de junio)… y lo demás no importa—parece que quiere decir este cuadro. Así (con un telón de fondo en blanco, un muro de silencio) mueren los más desamparados: los pobres del campo y los de la ciudad. Y, a veces, así muere también alguien a quien tú conocías muy bien.

¿En qué periódico centroamericano no se ha hablado últimamente de la necesidad de llevar a cabo actos de “limpieza social”? Sin duda nuestra casa—Centroamérica--está muy sucia. Pero no haríamos mal en ser muy cautelosos al desear esta clase de limpieza, no sea que nos ocurra como a más de un héroe de Hollywood tardío—en Nueva York o en Bangkok—que descubrió que para que la habitación quedara completamente limpia la última prenda sucia de la que había que deshacerse era él mismo.

Estas acuarelas rojas sobre papel blanco delicadamente parecen querer decirnos que “estudiemos, estudiemos, estudiemos”—como Zizec—“para llegar a comprender qué es lo que causa esta violencia”--que es tan nuestra.

Tal vez—pienso ahora—lo que estamos viendo aquí, reflejado oblicuamente en estos cuadros cuyo color recuerda el de la sangre fresca, no es tanto una denuncia de la muerte violenta de un pequeño país de Centroamérica, como, tras esa máscara convencional, un anuncio de nuestro colectivo suicidio.

Guatemala, Febrero 2009

27.3.09

Alianza Francesa - Expo Francofonía

Vista de la acción con velas

"10 palabras, 10 artistas"

Colectivo de artistas La Fábri-K
Alianza Francesa
Marzo 2009














"Dead Heart Bloom III - Désirer"
Instalación con plantas
MBarraza / 2009

6.2.09

Centro Cultural de España en Guatemala

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Inauguración

“República de la Muerte” de Mayra Barraza

Jueves 19 de Febrero, 7pm

Muestra abierta hasta Marzo.

Conversatorio

“Arte y Violencia” con Mayra Barraza

Sábado 21 de Febrero, 6pm

Centro Cultural de España en Guatemala

Vía 5, 1-23 Zona 4 / 4º. Norte

Guatemala Ciudad

“En un lugar no muy lejano, al cabo de100 días siguiendo la más oscura de las noches, ondea la bandera blanca de República de la Muerte” dice la artista Mayra Barraza en la introducción a su más reciente muestra de arte por inaugurarse en el Centro Cultural de España de la Ciudad de Guatemala el próximo Jueves 19 de Febrero.

“República de la Muerte” está conformada por acuarelas, ensamblajes, instalaciones y vídeos realizados desde el 2006, reflexiones de la artista desde el arte sobre la violencia.

La muestra incluye la serie de acuarelas “El sueño de la razón”, reconocidas con el Premio igualitario del VI Salón de Dibujo de Santo Domingo – 2007 de República Dominicana, y el Molaa Award en Dibujo del Museo de Arte Latinoamericano de California – 2008.

A su vez, presentará por primera vez la serie de 30 acuarelas inéditas titulada “Lapidario” de la cual el escritor guatemalteco Rodrigo Rey Rosa ha escrito: “lo que estamos viendo aquí, reflejado oblicuamente en estos cuadros cuyo color recuerda el de la sangre fresca, no es tanto una denuncia de la muerte violenta de un pequeño país de Centroamérica, como, tras esa máscara convencional, un anuncio de nuestro colectivo suicidio.”


3.12.08

Museo de Arte de El Salvador

De la serie
"Justicia" - Homenaje a Katya Miranda


Óleo e hilo de seda sobre canvas
250 x 180 cms
2008
Exposición "Artista del mes" - MARTE - Diciembre 2008











Información sobre el caso de Katya Miranda:

UCA - IDHUCA


Apoye aquí la petición de justicia en el caso de Katya Miranda (el caso prescribe en Abril 2009):

http://www.ipetitions.com/petition/katyamiranda/?e

11.11.08

Llama del bosque




La acción efímera Llama del bosque fue realizada por la artista Mayra Barraza en la zona del jardín de una residencia privada deshabitada en la Ciudad de San Salvador como parte del proyecto de dibujo contemporáneo "Líneas en la memoria", curado y organizado por Simón Vega.

Sobre cuatro árboles a lo largo del jardín fue deletreada la palabra AMOR con puntos de fuego. La pieza fue encendida de manera progresiva letra por letra que luego se quemaron paulatinamente hasta apagarse lentamente. El título de esta acción refiere a un árbol oriundo de la región conocido por su floración intensa anaranjada. La palabra escogida debía tener la capacidad para evocar con certeza pero con amplitud recuerdos personales y refiere a un estado de combustión interna. El fuego actúa sobre cada quien como un pirograbado con los recuerdos suscitados pero también como un elemento de carácter chamánico purificador en el que la memoria visiblemente se consume.

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